Mickey Fisher on Writing, Selling, and Producing a TV Pilot Spec Script — Part 2 7-part series on going from original TV pilot script to network series.
Screenwriting 101: Andrew Friedhof “I think it’s an act of folly to write a screenplay as though you’re going into production tomorrow. The first thing you should aim for is…
Daily Dialogue — October 10, 2017 “You know, you want to be a part of it, patriotic, go out and get your licks in for the U.S. of A. And when you get over there, it’s a…
Go Into The Story Interview (Part 1): Jack Epps My talk with the co-writer of Top Gun, Legal Eagles, The Secret of My Success.
Reader Question: What is the best way to make sure readers love my characters? Characters are the major conduits for a reader into the story’s emotional life.
Mickey Fisher on Writing, Selling, and Producing a TV Pilot Spec Script — Part 1 7-part series on going from original TV pilot script to network series.
On Writing “I heard a preacher say recently that hope is a revolutionary patience; let me add that so is being a writer. Hope begins in the dark, the…
“The Miserable Adventures of Burt Squire Aboard the Horn High Yo” A report from the latest Black List Live! stage reading in Los Angeles.
7 Hollywood Gatekeepers on What They Look for in a Script Insights into how the people who say ‘yes’ or ‘no’ think when reading a script.
Daily Dialogue — October 8, 2017 Gordon: If we’re going to play games, I’m going to need a cup of coffee.
Daily Dialogue theme next week: Homecoming Join the Daily Dialogue crew: 3,432 consecutive days and counting.
Dumb Little Writing Tricks That Work: Highlight Your Verbs I featured this bit of wisdom from screenwriter Larry Ferguson before here, the key quote being:
Saturday Hot Links Time for the 311th installment of Saturday Hot Links, your week’s essential reading about movies, TV, streaming, Hollywood, and other…
Screenwriting Lessons from Michael Arndt Story Beginnings, Endings, ‘Little Miss Sunshine’, ‘Toy Story 3’, and more.
Daily Dialogue — October 7, 2017 John Correli: Were you ever engaged in any sadomasochistic activity? Catherine: Exactly what did you have in mind, Mr. Correli?
Reader Question: Do all Protagonists need a character arc? A character’s ‘arc’ is a big buzzword in Hollywood development circles.
Screenwriting Lessons [Part 5]: Michael Arndt A series featuring insights from the Toy Story 3 screenwriter.
Would studios return to the ‘Singles and Doubles’ approach to making movies? Neil Turitz points to Screen Gems as an alternate to mega-budget blockbusters.
How They Write a Script: Billy Wilder The prolific writer-director opens up about his storytelling process.