Writing Advice from Matt Stone and Trey Parker

A video from over a decade ago resurfaces on social media.

Writing Advice from Matt Stone and Trey Parker
Matt Stone and Trey Parker at NYU in 2011

A video from over a decade ago resurfaces on social media.

Over the weekend, a video featuring Trey Parker and Matt Stone (South Park, Team America: World Police) sprang back to life on screenwriting social media. For example:

The video first became public in 2011 which is when I featured it at Go Into The Story. Here is a reprint of that article.


Matt Stone and Trey Parker at NYU

Takeaway quotes:

  • “It’s amazing how a deadline gets your creative juices going.
  • “In our writers room, you never say ‘no.’ You almost never go, ‘No, that won’t work because of this.’ You don’t need that energy.”
  • “Each individual scene [in South Park] has to work as a funny sketch.”
  • “We found out this really simple rule… We can take these beats… of your outline and if the words ‘and then’ belong between those beats, you’re fucked. You’ve got something pretty boring. What should happen between every beat you’ve written down is the word ‘therefore’ or ‘but.’”

This last bit is a really nice way of thinking about transitions from scene to scene as well as establishing a narrative flow. “Therefore” suggests that what happens in the next scene logically and naturally flows from the present scene. “But” suggests that what happens in the next scene is not only logical and natural, but also a complication, roadblock or reversal. It gets at the flow of narrative where some things work out for the Protagonist, other things don’t, but there’s always this push forward into the next scene.

Stone and Parker mention the very first short film they did featuring what became the South Park characters, a 5-minute short called “The Spirit of Christmas.” I remember back in 1992 or whenever it was when the video first went viral, standing in my agent’s office as he forced me to watch the video. Evidently, he had done this with everyone he had seen that day he was so blown away by the humor in the piece. It’s that type of thing that can get you noticed in a big hurry. Here is that short:

“Therefore or but.” Good insight because it speaks to the causality of one scene leading to the next.


I’m glad to see the “resurrection” of the video as Parker and Stone’s comments are an excellent teaching point. There should be some sort of causality between a preceding scene and a following scene, connected by either a situation which can be described as “therefore,” or one best described as “but.”

In 16 years hosting this blog, I’ve covered a lot of interviews, features, and advice provided by working professionals in Hollywood. It’s been a learning experience for me … and I trust for my readers.