Sundays with Ray Bradbury

“I can imagine all kinds of worlds and places, but I cannot imagine a world without Bradbury.” — Neil Gaiman

Ray Bradbury (1920–2012) had a remarkable writing career. Author and screenwriter, here is a partial list of his writing projects:

Novels

• 1950 The Martian Chronicles
• 1953 Fahrenheit 451
• 1957 Dandelion Wine
• 1962 Something Wicked This Way Comes
• 1972 The Halloween Tree
• 1985 Death Is a Lonely Business
• 1990 A Graveyard for Lunatics
• 1992 Green Shadows, White Whale
• 2001 From the Dust Returned
• 2003 Let’s All Kill Constance
• 2006 Farewell Summer

Collections

• 1947 Dark Carnival
• 1951 The Illustrated Man
• 1953 The Golden Apples of the Sun
• 1955 The October Country
• 1959 A Medicine for Melancholy
• 1959 The Day It Rained Forever
• 1962 The Small Assassin
• 1964 The Machineries of Joy
• 1965 The Vintage Bradbury
• 1966 Twice 22
• 1969 I Sing The Body Electric!
• 1975 Ray Bradbury
• 1976 Long After Midnight
• 1980 The Last Circus and the Electrocution
• 1980 The Stories of Ray Bradbury
• 1983 Dinosaur Tales
• 1984 A Memory of Murder
• 1988 The Toynbee Convector
• 1990 Classic Stories 1
• 1990 Classic Stories 2
• 1996 Quicker Than The Eye
• 1997 Driving Blind
• 1997 The Golden Apples of the Sun and Other Stories
• 1998 A Medicine For Melancholy And Other Stories
• 1998 I Sing The Body Electric! And Other Stories
• 2002 One More for the Road
• 2003 Bradbury Stories
• 2004 The Cat’s Pajamas: Stories
• 2005 A Sound of Thunder and Other Stories
• 2007 Now and Forever: Somewhere a Band is Playing & Leviathan ’99
• 2007 Summer Morning, Summer Night
• 2009 We’ll Always Have Paris: Stories
• 2010 A Pleasure To Burn

There are a couple of Bradbury quotes I want to include in my book The Protagonist’s Journey: Character Driven Screenwriting and Storytelling:

“Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.”

“Stand aside, forget targets, let the characters, your fingers, body, blood, and heart do.”

You can see why I like those quotes!

Like many Bradbury observations, they float around online without attribution to the original source. Therefore, I recently picked up Zen in the Art of Writing written by Bradbury and am reading through it to see if I can find those two observations on the craft..

As I began with the book, it occurred to me: Why not share Bradbury’s wisdom with Go Into The Story readers? Hence, a new series: Sundays with Ray Bradbury. Today: From Zen in the Art of Writing , “Drunk, and in Charge of a Bicycle,” pp. 46–47.

All during my early twenties, I had the following schedule. On Monday morning I wrote the first draft of a new story. On Tuesday I did a second draft. On Wednesday the third. On Thursday the fourth. On Friday the fifth. And on Saturday at noon, I mailed out the sixth and final draft to New York. Sunday? I thought about all the wild ideas scrambling for my attention…

If all this sounds mechanical, it wasn't. My ideas drove me to it, you see. The more I did, the more I wanted to do. You grow ravenous. You run fevers. You know exhilarations. You can't sleep at night, because your beast-creature ideas want out and turn you in your bed.

There was another reason to write so much: I was being paid twenty to forty dollars a story, by the pulp magazines. High on the hog was hardly my way of life. I had to sell at least one story, or better two, each month in order to survive my hot-dog, hamburger, trolley-car-fare life.

In 1944, I sold some forty stories, but my total income for the year it was only $800.

Mind you, Bradbury is talking about short stories. He would go on to write novels and screenplays, but his stock in trade until he established himself was short stories. Some takeaways:

• Develop a writing schedule. Whether it’s writing every day … or every other day … pounding out one-page per day … or 1,000 words a day … whatever fits you creatively and engenders productivity, do that. If it works, great. If it doesn’t, try something else. The goal: Get into a writing groove.
• Write as if you need to write. You may not depend on writing to put the proverbial bacon on the table, but why not adopt that attitude? However you can tap into a sense of need — hopefully like Bradbury where it exhibits itself as “ravenous… run fevers… can’t sleep at night” — develop a need to feed a creative stampede.

To learn more about Ray Bradbury, check out this website: raybradbury.com.

For previous Sundays with Ray Bradbury articles, go here.