Script Analysis: “First Reformed” — Part 4: Themes

Read the Oscar-nominated screenplay and analyze it this week.

Script Analysis: “First Reformed” — Part 4: Themes

Read the Oscar-nominated screenplay and analyze it this week.

Reading scripts. Absolutely critical to learn the craft of screenwriting. The focus of this bi-weekly series is a deep structural and thematic analysis of each script we read. Our daily schedule:

Monday: Scene-By-Scene Breakdown
Tuesday: Plot
Wednesday: Characters
Thursday: Themes
Friday: Dialogue
Saturday: Takeaways

Today: Themes.

I have this theory about theme. In two parts. First, a principle: Theme = Meaning. What does the story mean? Second, while there is almost always a Central Theme, there are multiple other Sub-Themes at play in a story. Therefore the question, What does a story mean takes on several layers of meaning?

Time to ponder themes in First Reformed. You may download a PDF of the script here.

Written by Paul Schrader.

IMDb plot summary: A minister of a small congregation in upstate New York grapples with mounting despair brought on by tragedy, worldly concerns, and a tormented past.

Writing Exercise: Explore the themes in First Reformed. What is its Central Theme? What are some of the related Sub-Themes?

Major kudos to Julianna Hartke for doing this week’s scene-by-scene breakdown. Julianna is a DePaul University School of Cinematic Arts senior getting a B.F.A. with a concentration in screenwriting and took time out of her busy academic schedule to read the script and do the breakdown.

To download a PDF of the breakdown for First Reformed, go here.

For Part 1, to read the Scene-By-Scene Breakdown discussion, go here.

For Part 2, to read the Major Plot Points discussion, go here.

For Part 3, to read the Characters discussion, go here.

To access 70+ analyses of previous movie scripts we have read and discussed at Go Into The Story, go here.

I hope to see you in the RESPONSE section about this week’s script: First Reformed.