Screenwriting “Hats”: Producer
When we write a screenplay, I like to think of the process as one in which we wear several “hats”. Primarily, of course, we wear our Writer…
When we write a screenplay, I like to think of the process as one in which we wear several “hats”. Primarily, of course, we wear our Writer Hat where we get in touch with our vision for each story and give evidence on the page to our unique voice. That is the foundation, to write something that is a reflection of our distinctive creative expression.
But there are other “hats” we can don in the writing process which can help us craft a script which has the most resonance with other people key to the filmmaking process: Director, Actor, Editor, Producer.
Today: Producer.
Apart from the screenwriter, the single most important person involved in the process of getting a movie project set up is the producer. Yes, talent attachments (actors and directors) may be a critical factor in a studio’s decision to green light a project, but it’s often the producer who uses their connections and influence to lure talent.
Once someone acquires a script, the producer continues to play an important role. Their focus may be on finding financial backing to make the film. The producer may be involved in meetings between the director and screenwriter. The producer may contribute ideas to the marketing plan. And so on.
All of which is to say that when a screenwriter dons a producer’s hat, we do so with one key aspect at the forefront of our minds: Hook. We look for a story that has some notable narrative elements which hook a reader’s attention, everyone from lowly script reader to president of production. These include:
- Great characters in the script which can attract the attention of name actors. Why is this important? Because name actors can help source sufficient funds to make a movie.
- While considering a script’s market viability, we should brainstorm compelling set pieces and trailer moments. It’s so much easier to pitch a project which naturally exhibits a film’s key “big moments.”
- Locations. Generally speaking, the fewer, the better as it cuts down on transportation costs and makes for a simpler production. Also, depending upon where the project is set, there are state tax incentives which can help with the budget.
The story is still the most important thing, but if we align what’s on the page with a producer’s concerns, we elevate the chances the project may not only get set up, but also produced.