Screenwriting Advice From The Past: The Actor’s Angle [Part 1]
“It would be possible to plant the jealousy motif by a sub-title. It would be better artistry to show the husband staring after the wife…
“It would be possible to plant the jealousy motif by a sub-title. It would be better artistry to show the husband staring after the wife, while his hand creeps up to tear the flower from his coat, then a close-up of the hand crushing the rose while petals flutter to the floor as the man is stirred by his passion.”
If you are a screenwriter, you should know about Anita Loos. Loos was one of the most influential writers in the early stages of American cinema, associated with 136 film projects per IMDb.
Married to writer John Emerson, the pair wrote one of the first books on screenwriting in 1920: “How to Write Photoplays”.
Today: The Actor’s Angle [P. 61].
The husband of the story knows that his wife is about to slip out of the house to keep an appointment with another man. The woman, a flirtatious Carmen type, kisses a rose and pins it in the husband’s buttonhole. Then she goes out leaving him in a silent fury of jealousy.
It would be possible to plant the jealousy motif by a sub-title. It would be better artistry to show the husband staring after the wife, while his hand creeps up to tear the flower from his coat, then a close-up of the hand crushing the rose while petals flutter to the floor as the man is stirred by his passion.
This gets at the heart of one of the most fundamental guidelines of screenwriting: “Show it, don’t say it.” Yes, you can state in scene description what is laid out in paragraph 1 above. But moves are primarily a visual medium. So better to show a visual representation of a character’s internal emotional state, signified here by the husband’s reaction to the rose.
Tomorrow: More screenwriting advice from the past.
You can read “How to Write Photoplays” via Google books online here.
For the rest of the series articles:
Introduction
Getting Ideas
Conflict and Crisis
Situation
Theme
Star Sympathy
Action: Part 1
Action: Part 2
Action: Part 3
Action: Part 4
Action: Part 5
Story Synopsis
Continuity: Part 1
Continuity: Part 2
The Title
Marketing the Script
Writing for the Camera
Scenery for Scenarios
Note: I ran this series originally in 2012. Unfortunately, the individual articles got bungled up on the site in some sort of technical snafu. So, I am recovering them one by one in this reprise of the series.