Screenwriting 101: Philip Dunne
“I hate to admit this, but we got nothing but the worst stuff; all the good books and plays went through the New York readers’ department…
“I hate to admit this, but we got nothing but the worst stuff; all the good books and plays went through the New York readers’ department. We got the pathetic originals written by out-of-work screenwriters. I kept seeing ways that I thought I could improve them. I’d write a synopsis, and I’d make it better. I couldn’t help it. It would be an obvious thing that the guy had missed. And when you learn to synopsize a story, you learn to construct it.”
— Philip Dunne
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