Saturday Hot Links

Time for the 359th installment of Saturday Hot Links, your week’s essential reading about movies, TV, streaming, Hollywood, and other things of writerly interest.

Flavorwire’s 2018 Toronto International Film Festival Diary.

‘The Nun’ Had the Best Opening of the ‘Conjuring’ Franchise.

Les Moonves Out as Chairman and CEO of CBS.

How Les Moonves’s Hubris Exposed Hollywood’s Hypocrisy.

Abusive media moguls harmed more than just individual women.

With DC Universe, Warner Bros. Looks to Turn a Valuable Brand Into a Viable Platform.

What to Do About Superman.

Disney Layoffs Come to Consumer Products Group.

Where Is Disney Taking The STAR WARS Franchise?

Lionsgate’s Jon Feltheimer Offers Bullish Outlook.

Can Home Video Follow in the Footsteps of Vinyl and Print?

Italian Box Office Offers Mixed Message for Domestic Business.

Study: Women Wrote Only 21% of Reviews on 2015–17’s Top Films, POC Just 17%.

Sorry Jon Kasdan, but We Still Don’t Buy Val’s Treatment in ‘Solo’.

Christopher Nolan and Paul Thomas Anderson Join Forces to Fix TV Settings That Mess With How Movies Look.

‘Bridesmaids’ Sequel Not Happening, Says Director Paul Feig.

‘The Predator’ Director Shane Black ‘Deeply Sorry’ for Casting Registered Sex Offender.

The Original Six: The Story of Hollywood’s Forgotten Feminist Crusaders.

America’s Top Nazi Sued Warner Bros. for Libel in 1939 Because He Didn’t Like the Movie ‘Confessions of a Nazi Spy.’

How Burt Reynolds Landed His Role in ‘Deliverance’.

Renewed and Cancelled TV Shows 2018.

2018 Creative Arts Emmy Award Winners.

TV Critics Predict Which New Shows Could Flop and How They’d Fix Them.

French TV Exports Rose by 18% in 2017 With Factual, Scripted Programs.

All hail Netflix, the master of disastrous press tours.

The Origin Story of the Depressingly Good “BoJack Horseman”.

Snapchat Offers Select Publishers New Path to Monetization With Curated Stories.

The future is here today: you can’t play Bach on Facebook because Sony says they own his compositions.

Startup Ryff Launches With AI-Driven Tech.

John Legend Becomes the First Black Man to EGOT.

All the Festivals We Lost This Year.

The 2018 National Book Awards Longlist: Fiction.

Screenwriting Master Class tip of the week

Learn all about Protagonist, Nemesis, Attractor, Mentor, Trickster.

In a screenplay, characters exist for a reason. Unlike a novel, a writer doesn’t have unlimited time to introduce characters willy nilly, rather the limitations of a script’s length compels us to handle characters with one eye always on how they connect to the plot. Moreover almost all movies feature a Protagonist who goes through some sort of metamorphosis. As a result, it’s almost certain all of the primary and even secondary characters in a story tie into and support the Protagonist’s transformation.

All of this translates into a 3rd essential screenwriting principle I teach in the Core curriculum:

Character = Function

This may sound reductionist. It is precisely the opposite. Much like an actor asks, “What’s my motivation,” digging down into the core of their character’s persona, so, too, do we as screenwriters delve into characters to determine what their core essence is and how that plays out in terms of their respective narrative functions. Once we make those discoveries, we can shape our characters in unlimited ways, all the while playing to how they function in relation to the narrative.

That is the starting point of Core III: Character, a 1-week online class I will be teaching starting on Monday, September 24. In this course, you will learn about:

• Five primary character archetypes: Protagonist, Nemesis, Attractor, Mentor, Trickster
• Protagonist Metamorphosis Arc
• Nemesis as opposition and ‘shadow’
• Attractor as the character most connected to a Protagonist’s emotional development
• Mentor as the character most connected to a Protagonist’s intellectual development
• Trickster as the character who tests the Protagonist’s will
• Different Protagonist paradigms
• Working with archetypes and switching Protagonists

And much more.

The course consists of four components:

• Lectures: There are six lectures written by me, each posting Monday through Saturday.
• Writing Exercises: These optional exercises offer you the opportunity to workshop one of your own loglines and receive feedback from class members.
• Teleconference: We will have a Skype teleconference call to discuss course material, a great opportunity to interface directly with me and other writers in the course.
• Forums: The online course site has message boards where you may post questions / comments, almost always a place where remarkable conversations and analysis takes place.

We will analyze a lot of movies including The Wizard of Oz, The Apartment, The Silence of the Lambs, Slumdog Millionaire, Citizen Kane, Ferris Bueller’s Day Off, Life Is Beautiful, and many more.

For those of you who have not taken an online class, the interface is extremely easy. Plus online classes can be an amazing experience. Most of the activities you can do on your own time — download and read lectures, review and respond to forum discussions, upload loglines and track comments. In addition, I’ve been teaching online for over a decade and it never ceases to amaze me how much of a community emerges in such an environment.

I only teach my Core classes once a year and the 2018 cycle begins next month. Everything you need to know about screenwriting theory in this unique curriculum based on eight principles: Plot, Concept, Character, Style, Dialogue, Scene, Theme, Time.

CORE I: PLOT — A one-week class which begins with the principle Plot = Structure and explores the inner workings of the Screenplay Universe: Plotline and Themeline. Start date: Already run, but the content is still available.

CORE II: CONCEPT — A one-week class which begins with the principle Concept = Hook and examines multiple strategies to generate, develop and assess story ideas. Start date: Already run, but the content is still available.

CORE III: CHARACTER — A one-week class which begins with the principle Character = Function and delves into archetypes: Protagonist, Nemesis, Attractor, Mentor, and Trickster. Start date: September 24.

CORE IV: STYLE — A one-week class which begins with the principle Style = Voice and surfaces keys to developing a distinctive writer’s personality on the page. Start date: October 8.

CORE V: DIALOGUE — A one-week class which begins with the principle Dialogue = Purpose and probes a variety of ways to write effective, entertaining dialogue. Start date: October 22.

CORE VI: SCENE — A one-week class which begins with the principle Scene = Point and provides six essential questions to ask when crafting and writing any scene. Start date: November 5.

CORE VII: THEME — A one-week class which begins with the principle Theme = Meaning and gives writers a concrete take on theme which can elevate the depth of any story. Start date: November 19.

CORE VIII: TIME — A one-week class which begins with the principle Time = Present and studies Present, Present-Past, Present-Future and time management in writing. Start date: December 3.

These eight Core classes represent decades of my work on the front lines of the entertainment business as a writer and producer, and engaging the craft as a teacher as well, over time pulling together a coherent, comprehensive, and cohesive approach to screenwriting theory.

This is not about secret systems or magic formulas, rather the Core content presents a story-crafting process that starts with characters, works with characters, and ends with characters. That process of engaging you with your story universe through your characters and getting you in touch with these living, breathing individuals informs every step of your creative process, leading you to story structure, themes, conflict, subplots, and all the rest. As I say, Character Based Screenwriting.

I provide feedback and am actively involved in our online chats. That includes a 90 minute teleconference for each Core class.

This cycle, I am offering a special sale price. Normally the Core classes are $95 each. In 2018, each is on sale for $79!

A popular option is the Core Package which gives you exclusive access to the content in all eight Craft classes which you can go through on your own time and at your own pace, plus automatic enrollment in each 1-week online course — all for nearly 50% off the normal price of each individual class. If you sign up now, you can have immediate access to all of the Core content.

“I’m a huge fan of Scott’s classes, and I signed up for his Core Package, which I cannot speak highly enough about. If anyone wants to take a serious look at improving their writing, there is more than enough material to keep you busy for a few… dare I say, lifetimes? He’s the best. No bones about it.”

~ Heather Farlinger

To learn about any of the Core classes, click here.

I look forward to the opportunity to work with you!