Reader Question: How to indicate a ‘jump cut’ in a screenplay? A jump cut is a transition to suggest a time ellipsis, a jump in time, hence the term.
I'm going to focus on some moments in which Fern reflects on the marriage she had with her now… A cloudy and breezy morning. Fern is shaving Swankie’s head. Swankie sits in a chair, a towel wrapped around her neck.
A Story Idea Each Day for a Month — Day 16 This is the 12th year in a row I’ve run this series in April. Why a story idea each day for the month? Because the best way to come up with…
Script Analysis: “Nomadland” — Part 5: Dialogue A week-long analysis of this Oscar-nominated screenplay. Download. Read. Discuss.
Twelve Things You Were Not Taught in School About Creative Thinking Not a fan of listicles. This one is different.
Page One: “The Godfather: Part II” (1974) Screenplay by Francis Ford Coppola and Mario Puzo, novel by Mario Puzo
Val, what I would have to say about pitching quite literally takes about 30–45 minutes. https://gointothestory.blcklst.com/reader-question-whats-the-best-way-to-approach-pitching-33da4e0f17bd
Laura and Ant, I think you've zeroed in the two themes which came to me as I was watching the movie. Laura, that line from Bob, that's worthy of inclusion in the Dialogue comments. It's interesting, isn't it, that it takes Fern ALL THAT…
A Story Idea Each Day for a Month — Day 15 This is the 12th year in a row I’ve run this series in April. Why a story idea each day for the month? Several reasons which I’ll work my…
The Business of Screenwriting: Everything You Wanted to Know About Specs Part 1: The Genesis of the Spec Script [1900–1942]
Script Analysis: “Nomadland” — Part 4: Themes A week-long analysis of this Oscar-nominated screenplay. Download. Read. Discuss.
Interesting that both of you (Bruno and Laura) pegged Dave as a Trickster. In that moment, the wisdom provided by Bob Wells (Mentor) trumps whatever feelings Fern may have for Dave. Frankly, I don't think she's…
A Story Idea Each Day for a Month — Day 14 This is the 12th year in a row I’ve run this series in April. Why a story idea each day for the month? Several reasons which I’ll work my…
Script Analysis: “Nomadland” — Part 3: Characters A week-long analysis of this Oscar-nominated screenplay. Download. Read. Discuss.
Rewrite Strategy: The Protagonist Pass “It’s where the writer reviews their current script and revisits the single most important character in the story.”
Page One: “Frozen” (2013) Screenplay by Jennifer Lee, story by Chris Buck & Jennifer Lee & Shane Morris, story inspired by “The Snow Queen” by Hans Christian…
Interesting take, Laura. Your take is interesting because it gives the ending more of a positive spin. Bob says, "We don't ever say goodbye because we'll always see…
Ant, that is an excellent analysis and I thought your notes in the breakdown about certain key plot… You are right: This is not your typical hero's journey, although Fern is certainly ON a journey. She does not have what we might call a…
A Story Idea Each Day for a Month — Day 13 This is the 12th year in a row I’ve run this series in April. Why a story idea each day for the month? Several reasons which I’ll work my…
Script Analysis: “Nomadland” — Part 2: Plot A week-long analysis of this Oscar-nominated screenplay. Download. Read. Discuss.
Page One: “Fried Green Tomatoes” (1991) Screenplay by Fannie Flagg and Carol Sobieski, novel by Fannie Flagg
From a screenwriting standpoint, there are two aspects of this story which set it off as unusual. It raises the question: Did Zhao write the scenes featuring these non-actors beforehand or listen to their stories and incorporate them…