Page One: “Blue Moon” (2025) Written by Robert Kaplow, inspired by the letters of Lorenz Hart & Elizabeth Weiland
On Writing “One of the dumbest things you were ever taught was to write what you know. Because what you know is usually dull. Remember when you first…
Script Analysis: “A Monster Calls” — Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Page One: “Silence” (2016) Screenplay by Jay Cocks & Martin Scorsese, based on the novel by Shûsaku Endô
Script Analysis: “A Quiet Place” — Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Screenwriting 101: Marshal Herskovitz “If I have a criticism of many screenwriters, it’s that they are too wedded to the words. When I say ‘the words,’ I mean the words the…
On Writing “If it’s only about passion, sometimes you’ll be good and sometimes you won’t. You’ve got to come in every day with a strong desire.”
Page One: “Shrek the Third” (2007) Screenplay by Jeffrey Price & Peter S. Seaman and Chris Miller by & Aron Warner, story by Andrew Adamson, based upon the book by William…
Page One: “KPop Demon Hunters” (2025) Screenplay by Danya Jimenez & Hannah McMechan and Maggie Kang and Chris Appelhans, story by Maggie Kang
Go Into The Story Interview: Daniel Kunka My in-depth conversation with the 3-time Black List screenwriter.
Page One: “Nuremberg” (2025) Written for the screen by James Vanderbilt, based on the book “The Nazi and the Psychiatrist” by Jack El-Haibook
Script Analysis: “Minari” — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Script Analysis: “Nomadland” — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay: