Compelling Characters vs. Sympathetic Characters “Appeal comes from truthful and complex characters. I hate when movie people say, ‘Your lead character has to be sympathetic,’ which for…
Script Analysis: “Spider-Man: Into the Spider-Verse” — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Page One: “Night Nurse” (1931) Screenplay by Oliver H.P. Garrett, additional dialogue by Charles Kenyon, based on the novel by Grace Perkinsfrom (as Dora Macy)
Script Analysis: “Ex Machina” — Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
On Writing “Writing is easy: All you do is sit staring at a blank sheet of paper until drops of blood form on your forehead.”
Script Analysis: “Short Term 12” — Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Great Scene: “There Will Be Blood” The last scene of There Will Be Blood (2007) is one of the most gut-wrenching finales in recent film history. Written and directed by Paul…
Page One: “Nick and Norah’s Infinite Playlist” (2008) Screenplay by Lorene Scafaria, novel by Rachel Cohn & David Levithan
Writing Tip: A Playlist to Calm the Mind A therapist suggests some music to reduce anxiety… and spur creativity.
Screenwriting 101: Dennis Foley “Hollywood is the only town where you can not fail. You can only quit trying.”
Script Analysis: ‘The Trial of the Chicago 7’ — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Page One: “A New Leaf” (1971) Written for the screen by Elaine May, short story “The Green Heart” by Jack Ritchie
Spec Script Deal: “Tough Guys” Amazon MGM acquires action comedy spec script “Tough Guys” written by Daniel Gold. Via Deadline:
Script Analysis: “Whiplash” — Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
On Writing “As the characters become alive to me, there are things that I think they’re going to do that they refuse to do and as I get closer, they…
Page One: “News of the World” (2020) Screenplay by Paul Greengrass and Luke Davies, based upon the novel by Paulette Jiles
“What should I do if a project sells similar to a script I’m writing?” Before you jump, step back from the ledge, and consider the following.
Screenwriting 101: Trey Ellis “I noticed that race colors the perception of me in the film community today much more than I would have thought a decade ago. I call it my…
Script Analysis: “La La Land” — Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Page One: “New Jack City” (1991) Screenplay by Thomas Lee Wright and Barry Michael Cooper, story by Thomas Lee Wright