On Writing “A writer never has a vacation. For a writer, life consists of either writing or thinking about writing.”
Script Analysis: “First Man” — Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Page One: “Belén” (2025) Writer Laura Paredes and Dolores Fonzi & co-writer Agustina San Martín and Nicolás Britos, book by Ana Correa
Go Into The Story Interview: Max Taxe My interview with 2022 Black List writer for his script Ripple.
Reflections of 2025 Black List Feature Writer’s Lab Participants Writers who participated in this year’s Black List Feature Writer’s Lab reflect on their experience.
Script Analysis: “Hustlers” — Scene By Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Page One: “Secret Window” (2004) Screenplay by David Koepp, novella “Four Past Midnight: Secret Window, Secret Garden” by Stephen King
Script Analysis: “First Cow” — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Spec Script Deal: “Smother In Law” In a “competitive situation,” Netflix acquires comedy spec script “Smother In Law” written by April Prosser. Via Deadline:
Page One: “Scrooged” (1988) Written by Mitch Glazer & Michael O’Donoghue, based on “A Christmas Carol” by Charles Dickens
Spec Script Deal: “Aunt Roxie” Netflix acquires comedy spec script “Aunt Roxie” written by Johnny Rosenthal. Via Deadline:
Go Into The Story Interview: Lexie Tran My interview with 2022 Black List writer for her script It’s a Wonderful Story.
Screenwriting 101: Christopher Hampton “David Lean had several principles, that he repeated more than once. Lesson One was that the most important thing in any screenplay is the…
Script Analysis: “Luca” — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
Page One: “Scary Movie 2” (2001) Written by Shawn Wayans & Marlon Wayans & Alyson Fouse & Greg Grabianski & Dave Polsky & Michael Anthony Snowden & Craig Wayans
Script Analysis: “Honey Boy” — Scene-By-Scene Breakdown Here is my take on this exercise from a previous series of posts — How To Read A Screenplay:
On Writing “If you want to write, it must be the thing not that you want to do, or would like to do. It must be the thing you feel you have to do.”